Zombies have overrun the Baja Studios in Baja California, Mexico, ever since the second season of AMC’s “Fear the Walking Dead” made use of the four-water tank facility, once known as Fox Baja Studios. The third season of the hit series is now in production at the 51-acre oceanfront studio purpose-built by Twentieth Century Fox for James Cameron’s “Titanic.”
Great broadcast design story via @newscaststudio http://www.newscaststudio.com/2017/10/30/tv-studio-led-lighting-tips/ Focus On Lighting Design for TV, presented by @Fluotec
Both lights are bicolor flat LED panels with the separate ability to control color mix between daylight & tungsten, as well as brightness levels. They have 90+ CRI, and ___ TLCI color rating for photo quality lighting. They can be used at full daylight color (6200K), full tungsten (2800K) or any color mix level in between.
This ability allows custom lighting to match a locations ambience, which can often be a unique color mixture of tungsten, fluorescent and window light. You can also vary the light’s color from that of the ambient location, to contrast the subject more against the background, creating a visual sense of depth, or even resolve cosmetic issues such as warming up a pale skin tone.
For ordering information or becoming a FLUOTEC DEALER please contact:
Eric Druker / firstname.lastname@example.org
The most modern studio in America IMAGEN TV
Lighting by @FLUOTEC / Imagen Televisión, is the New Mexican broadcast television network.
The network started broadcasting on Monday, October 17 at 8 PM on Channel 3 over the air, Channel 118 on Sky and Izzi, and Channel 1118 on Sky HD
The strategic vision for this innovative proposal comes from Olegario Vázquez Aldir, CEO of Grupo Empresarial Ángeles, which offers audiences competitive products at the national and international levels.
Olegario Vázquez Aldir is a Mexican businessman and the director general of Grupo Empresarial Ángeles.
The network’s content includes a significant component of Mexican-made original productions and hit shows from around the world.
The fiction, news, entertainment and sports genres will be the main pillars of the network’s content strategy.
Aware of its historic role as the first over the air television network launched in Mexico in more than 20 years, Imagen Televisión is affirming its commitment to be a new media option for Mexican audiences that connects everyone, and where everyone’s ideas have a place – a network that inspires younger generations, looks at the world through a different lens and paves the way for new possibilities.
FLUOTEC has 20+ years of leadership in Television Studios integration in the areas of BROADCAST, PRODUCTION, TELECOM , MEDIA, ENTERTAINMENT and SHOW.
They designed, manufactured and installed the lighting grids, power and control feeds, motorized power grids, and sound proof walls and doors of all the stages of Imagen Television Studios.
Lighting Tutorials, Tips & Tricks I worked as a lighting cameraman in Television and then as a Cinematographer on several 35mm feature films, music videos and documentaries – I’d share some lighting tutorials with you! ! from Chris Weaver ChrisWeaver@FreeSpiritFilm.co.uk via Maribeth Kocimski Ratajczyk Cine Gear Expo #Lighting #Cinematography #WeLight #LightWarriors
VegaLux 300® StudioLED FRESNEL® a powerful 12” 300W BiColor Motorized Zoom DMX DimmableNAB 2016 Central Hall Booth C6513This exciting development is important to Cinematographers, Producers, Gaffers, Photographers, and Film & Broadcast Televisión Studio Executives, because until now, the use…
Fresnels are workhorses of stage lighting and the most common luminaire used on television and motion pictures.
Introducing the VegaLux 300® StudioLED FRESNEL® 12” 300W BiCOLOR Motorized Zoom DMX Dimmable
This exciting development is important to Cinematographers, Producers, Gaffers, Photographers, and Film & Broadcast Televisión Studio Executives, because until now, the use of inefficient incandescent lighting, has been the norm in Production Lighting for Studios, Locations, Stages and Theaters.
The VEGALUX 300™ delivers a luminous flux of equivalent incandescent lights with power requirements of 2000W, while using only 338W
FLUOTEC´s advancements on research and engineering allowed this new generation of LED Fresnels to be two times brighter and more efficient than previous models.
You can achieve extremely powerful illuminance levels of 22,620 lux at 6ft in Neutral White-4115K, in Cool White-5200K, you get 12,910 lux and in Warm White-3200K 11,320 lux also at 6ft.
The VEGALUX 300™ emits the pure white light needed for professional applications, so you can substitute your inefficient fixtures right away, manufactured with world class industry standards, it is a highly professional, dependable and simple to use fixture, that can be seamlessly integrated with all kind of lighting fixtures into your current production’s workflow.
You can design your morning TV production to have a cool white DAYLIGHT 5600K tone, at Midday you can choose to have a NEUTRAL WHITE tone of 4,115K and for the Evening you can achieve the WARM WHITE color temperatures of 3200K without the need of using gels or any human supervision, all CCT changes may be controlled through a remote DMX dimming console.
The VEGALUX 300 includes a sturdy built 8-Blade Barn doors for precise and accurate control of the light beam.
It is an extremely silent fixture with an optimized passive-active cooling system with quiet fans for studio or location applications.
The Vegalux 300™ Fresnel with the Nebula Diffusion Chamber Technology® system, mixes and diffuses the light rays of each LED and emit a pure white light output, specially designed for Broadcast & Motion Picture applications.
It uses 2 two sets of high quality, powerful White LEDs with high TLCI Index and CRI+90 that works in the 3200K-5200K CCT range.
The LEDs are set in a sink with a system of low-noise fan, for heat dissipation and protection and placed on a Circuit Breaker MPCB with low thermal resistance, an electronic active temperature control system prevents thermal conditions of stress in order that the LEDs operate at their best performance.
The VEGALUX 300™ LED technology is digital, and has the FLUOTEC´s exclusive Halodim® BiCOLOR Stepless CCT & Dimming control algorithm for 0% to 100% dimming, this important feature can save you precious working costs, because there is no need to move the fixture while putting scrims, or re-rig them while they are installed in high grids of television studios, because the brightness level can easily be controlled with the on-board control panel or a remote DMX console.
The Motorized zoom changes seamlessly the variable beam angle from spot 16o to flood 43o either through the local LED Control Panel or also remotely via DMX.
You can have up to five (5) 300W 2.81A VEGALUX 300™, Fresnel lights connected to a 20A, 120VAC house outlet without breaking a fuse, compared to just one 2,000W inefficient incandescent fixture.
This efficient innovative and ground breaking Fresnel lighting fixture will save between 75-80% of the cost of your electric bill, and because LED is a cool digital light, you will also save costs, eliminating the need of air conditioning for your studio.
FLUOTEC …We Light Operations, Engineering, Commercial & Marketing TEAM
AuraLux and VegaLux: StudioLED Fresnels by FLUOTEC
For further information, please contact:
Ing. José María Noriega
CMO Commercial Director
Cel-WhatsApp 521 55 3044 7495
An excellent review of the Lighting Passport of @asensetek from @KevinWillmorth
I first saw this device at Light+Build Frankfurt last fall. I was impressed enough to find one added to my collection of tools. The Asensetek Lighting Passport is a unique product in several ways. First, it is essentially a meter head (where the cost is), coupled to an iOS or Android device that does all the computational and display work. The lighting head has a nifty slide action receptor cover, so there is nothing to come off or get lost in a bag or pocket. The measurement range is as broad as any of the other spectrometers tested here, plus some. Not only does it produce the expected spectral power distribution, CRI, CCT, CIE 1931 and 1976 coordinates and illumunance in lux and Fc, it also delivers CQS values.
View original post 1,794 more words
I propose that all pursuits of a color quality metric represented in any form of numeric value based on averages of performance over any number of color samples is wholy inadequate and a was…